On her first public appearance as the leading treble singer in the oratorios, her brother gave her ten guineas for her dress, and on the occasion the proprietor of the theatre pronounced her an ornament to the stage. If she had chosen to persevere, her biographer says her reputation as a singer would have been secure, but, like a woman, she thought more of securing her brother's success than her own. She steadily declined to sing in public unless he was conductor. Besides regular Sunday services, she sang in concerts and oratorios at Bath and Bristol, all the while carrying on her housekeeping with one servant. In this way for ten years at Bath she went on "singing when she was told to sing, copying when she was told to copy, lending a hand in the workshop," and sympathizing with all the intensity of her nature in the course of events, which ended by her brother becoming "the king's astronomer." She sang with him for the last time at Bath, on Whitsunday, 1782.
The following extract narrates the course of events that led to her becoming her brother's constant assistant in his astronomical work:
- ↑ She means her brother's ruffles. In those days lace was worn by gentlemen, and she elsewhere speaks of knitting ruffles for her brother.