form of Adimari stood before him, and it seemed to him as if the slender fingers of the infant Euthanasia pressed his hand. He turned suddenly round, and asked: "Does she still live there?"—pointing to the castle.

"Who? The countess of Valperga?"

"Aye, and her daughter Euthanasia?" Many years had elapsed since he had pronounced that name; he felt his whole frame thrill to its musical sound.

"The present countess," replied Vanni Mordecastelli, "is young and unmarried"—

"And her name is Euthanasia," continued count Ludovico de' Fondi; "she is the daughter of Messer Antonio dei Adimari, who while he lived was one of the leaders of the Guelph party at Florence; and through her mother she possess the castle and villages of Valperga."

"Aye," cried a youth, "and they say that Ranieri della Fagginola pretends to her hand. It is not well, that the credulity of a woman, who will listen to the first fine speeches that are addressed her, should cause so strong a