fied. The kings, it would seem, were called Minos always, as the kings of Egypt were all called Pharaoh; the king of Cnossos figures in the early legends of the Greeks as King Minos, who lived in the Labyrinth and kept there a horrible monster, half man, half bull, the Minotaur, to feed which he levied a tribute of youths and maidens from the Athenians. Those stories are a part of Greek literature, and have always been known, but it is only in the last few decades that the excavations at Cnossos have revealed how close these legends were to the reality. The Cretan labyrinth was a building as stately, complex, and luxurious as any in the ancient world. Among other details we find waterpipes, bathrooms, and the like conveniences, such as have hitherto been regarded as the latest refinements of modern life. The pottery, the textile manufactures, the sculpture and painting of these people, their gem and ivory work, their metal and inlaid work, is as admirable as any that mankind has produced. They were much given to festivals and shows, and, in particular, they were addicted to bull-fights and gymnastic entertainments. Their female costume became astonishingly "modern" in style; their women wore corsets and flounced dresses. They had a system of writing which has not yet been deciphered.

It is the custom nowadays to make a sort of wonder of these achievements of the Cretans, as though they were a people of incredible artistic ability living in the dawn of civilization. But