< Page:The Art of Modeling Flowers in Wax.djvu
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place the stamens round, then curl the petals; make them very round and thin at the edge; place the smallest size round, and the remainder in rows, of five each row, fitting into the space left by the preceding petals. Let them form a cup; turn the last row down. Should you require a full-blown flower, make the four calyx of doubled green wax, and white for the inside; curl them in the same way as the petals, and place them round the flower at equal distances. Sometimes the calyx is tinted with brown; if so, shade it with carmine; this over the green will make a brown tint. Should it be darker than the green wax, color with the prussian blue and orange. To make the shining surface, rub them with the dry brush; make the stem very thick, and color brown. The bud is made in the same way, only with a few petals closed over a foundation of white wax. No centre is required, as it is not seen; calyx the same as the flower. The leaves are made of dark green, sometimes tinted brown and penciled with red veins at the back. This flower looks well in a group by itself, or placed on a mirror of plate glass.

RED FUCHSIA.

The beautiful red sepals which form the calyx are cut from doubled wax, the four inside petals

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