'Caterina,' he said, laying his hand on her arm as she was hurrying on without looking at him, 'will you meet me in the Rookery at twelve o'clock? I must speak to you, and we shall be in privacy there. I cannot speak to you in the house.'

To his surprise, there was a flash of pleasure across her face; she answered shortly and decidedly, 'Yes', then snatched her arm away from him, and passed down stairs.

Miss Assher was this morning busy winding silks, being bent on emulating Lady Cheverel's embroidery, and Lady Assher chose the passive amusement of holding the skeins. Lady Cheverel had now all her working apparatus about her, and Caterina, thinking she was not wanted, went away and sat down to the harpsichord in the sitting-room. It seemed as if playing massive chords—bringing out volumes of sound, would be the easiest way of passing the long feverish moments before twelve o'clock. Handel's Messiah stood open on the desk, at the chorus 'All we like sheep', and Caterina threw herself at once into the impetuous intricacies of that magnificent fugue. In her happiest moments she could never have played it