s compared.

On Mr. Furness's left you see Mr. Pugh, another young curate, of much less marked characteristics. He had not published any poems; he had not even been plucked; he had neat black whiskers and a pale complexion; read prayers and a sermon twice every Sunday, and might be seen any day sallying forth on his parochial duties in a white tie, a well-brushed hat, a perfect suit of black, and well-polished boots—an equipment which he probably supposed hieroglyphically to represent the spirit of Christianity to the parishioners of Whittlecombe.

Mr. Pugh's vis-a-vis is the Rev. Martin Cleves, a man about forty —middle-sized, broad-shouldered, with a negligently-tied cravat, large irregular features, and a large head, thickly covered with lanky brown hair. To a superficial glance, Mr. Cleves is the plainest and least clerical-looking of the party; yet, strange to say, there is the true parish priest, the pastor beloved, consulted, relied on by his flock; a clergyman who is not associated with the undertaker, but thought of as the surest helper under a difficulty, as a monitor who is encouraging rather than severe. Mr. Cleves has the wonderful art of preaching sermons which the