In the voice, as in other forms of sound, we must have, first, a vibrating body to initiate the sound. This we have in the vocal cords of the human body. The vibrations set up in the vocal cords (Fig. 1) are not due to a violent impact,
The chest is supplied with the most perfect mechanism for obtaining this current of air. The main support is furnished by the ribs, which give firmness to the chest. These are held together and supported by muscles of great strength which raise the ribs in the act of inspiration. The lower part of the chest is enclosed by a broad flat muscle known as the 'diaphragm,' which materially assists in giving its bellows-like faculty to the chest. In the act of inspiration, the diaphragm is lowered and the ribs are raised, thus creating a space in the lungs which is filled by the air entering through the nose and throat. In expiration, however, this is reversed, the ribs being lowered and the diaphragm raised, the process being assisted by the natural elasticity of the lung tissue. The thorough understanding of this function of the lungs should impress us with the importance of not hampering their action by tight clothing or lacing, which necessarily interferes with their freedom of action, and, by thus lowering the resistance of the body, make it more liable to the entrance of disease.
The two vocal cords, whose vibration forms the essential factor in the voice, are situated within the larynx, the most prominent point of