Fig. 8.--MARY, COUNTESS OF PEMBROKE, WEARING A COIF AND CUFFS OF RETICELLA LACE.
National Portrait Gallery. Dated 1614.

Fig. 11.--JAMES II. WEARING A JABOT AND CUFFS OF RAISED NEEDLEPOINT LACE.
By Riley. National Portrait Gallery. About 1685. (Figs. 8 and 11, photo by Emery Walker.)

Fig. 9.--HENRI II., DUC DE MONTMORENCY, WEARING A FALLING LACE COLLAR. By Le Nain. Louvre. About 1628.
(By permission of Messrs Braun, Clement & Co., Dornach (Alsace), and Paris.)

Fig. 10.--SCALLOPPED COLLAR OF TAPE-LIKE PILLOW-MADE LACE.
Possibly of English early 17th-century work. Its texture is typical of a development in pillow-lace-making later than that of the lower edge of "merletti a piombini" in Pl. II. fig. 3.

Fig. 12.--JABOT OF NEEDLEPOINT LACE WORKED PARTLY IN RELIEF, AND USUALLY KNOWN AS "GROS POINT DE VENISE."
Middle of 17th century. Conventional scrolling stems with off-shooting pseudo-blossoms and leafs are specially characteristic.