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OBSERVATIONS ON THE PROGRESS OF THE does not appear, in his catalogne of names of artists employed on Henry the Seventh's chajjel, to have noticed the name of any foreigner engaged on that work, with the exception of Torregiano. He mentions master Pageny, who snpplied a "patrone" for the marble tomb, Lawrence Ymber, carver, Humfray Walker, founder, and Nicholas Ewen, copper-smith and gilder^. Torregiano appears by the records to have been employed nearly five years on the bronze tomb of Henry only, placed within the chapeP. We may, however, reasonably conclude, from the character and draperies of the minor statues, and other decorations of that magnificent production, that the native artists had profited by the presence of so experienced a man. statues from Ibe entrance porch of the Guildhall. h See Britton's Archit. Antiqu., vol. ii. In the same document, cited by Britton, mention occurs of Drawswerd, sherifl" of York, ajjparently an artist of tlie same period, and .lames Hales wJio made a wooden " patren" for an image of copper, for the earl of Derby. ' Agreements between the executors and " Peter Torrysarry " of Florence, graver, A.D. r,l6: Archit. Antiq., ii. 23.