SEPULCHRAL BRASSES.

247 disproportionate size, which was either one of those portable mirrors, termed Venice steel glasses, or a box of goldsmith's vork, intended to contain a pomander, or other perfumes. No. 1. Ann-^ Rede No. 2. Aniie Rede. The difference in costume caused by a lapse of twenty-six years between tlie first and second effigy, is very remarkable, and is a proof how closely the artist in such case followed the fashion of the period at which the brass was executed. Per- haps this is the only instance in which the same person has been twice represented by this sort of monument, in different churches and at different periods. We have much reason to regret that the figure of George Duke is lost, because that of Peter Rede is still preserved, and without it the completeness of the group is destroyed. Peter Rede is represented in armour of tho fifteenth century, wdth a visord salade, and the fol- lowing legend is in Roman character : —