18S5, her largest poetical work, **The Seven Temptations." She aitao

edited for three years, **Tbe Drawing-Room Scrap-Book," fumisliiqff for that work a large mass of poetry. About 1848, she colleoM her fugitive poems in a volume, entitled "Ballads, and other Poenu"

Mrs. Howitt has also written Memoirs, in the very kindest spirit, of several Americans; those of Miss Cushman and Mrs. Mowatt have been partly used in this work.

^The Seven Temptations," the largest and most elaborate of Mrs. Howitt's poetical works, represents a series of efforts, by the im- personation of the Evil Principle, to seduce human souls to his power. In this, as well as in other of her works, we may see how earnestly the writer sought to do good. But her Ballads are the best exponents of Mrs. Howitt's genius. In these she is unrivalled, except, perhaps, by Mr. Macaulay, in modern times. The play of her warm, rich fancy, is like sunlight on icicles, giving the glow and glory of its own hues to any object, no matter how cold or colourless, it touches. Who ever read her "Midsummer Legend,** without believing in fairies? This union of the tenderest human sympathies with the highest poetic faculty — ^that of creative fancy — is remarkable in some of her smaller poems. She has faith in human progress, and the love which makes her an earnest worker in the field of reform. All her productions manifest nhat love of Christ, of the poor, and of little children, which always was, and will be, a ruling sentiment of her soul." She gains the loving ad- miration and esteem of her readers, and is as popular in America wi in her own England. Mrs. Howitt resides in London.

(Helena Y. Rossen,) a nun of the Benedictine order, was born In Saxony, and died at Gandershein, in 984. She is known as a religious poetess through her "Comaedia Sacrce VI.," edited by Schurzfleisch. These plays were written by her to suppress the reading of Terence, then a very popular author among the literary clergy of the age. She also composed a poetic narrative of the deeds performed by Otho the Great, to whom she was related, and a number of elegies. She wrote altogether in Latin. Her works were printed in Nuremberg, in 1601.

A VOLUMINOUS author, was bom at Geneva, in 1710. The man- ner of her education is not particularly known. Her principal works are, "Le monde fou, pr^fer^ au monde sage;" "Le Systeme dcs Theologians Anciens et Modernes, sur I'etat des ames s^par^s des corps;" "Suite du m§me ouvrage, servant de response h, M. Ruchat;" "Reduction du Spectateur Anglais." This was an abridgment of the "Spectator," but did not succeed. "Lettres sur la R^igions essentielle h I'homme." Mary Huber was a Protestant, and this latter work in particular was attacked by the divines of the Roman Catholic communion. She had wit and knowledge, but was some- times coarse in her expressions. She died at Lyons, in France, in 1763.

Daughter of the celebrated philologist Hcyne, was married to Louis Ferdinand Hubcr, son of Michael Huber, professor at Leipsic