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Notes
Note 1, p. 29. It is not easy, however, &c.] That is, if the Vital Principle be a first cause and an element or combination of the elements, it cannot be determined, if subject to external impulse, what its movements will be—if it be of fire, it must move upwards, if of earth, downwards, and so for intermediate movements. Plato maintains, as was said, that, as there can be nothing visible or tangible without fire or solid without earth, these were the first of created elements; and that, as there can be no enduring combination out of two elements, air and water were next created and placed between the first two.
Note 2, p. 30. Now, the body is moved by translation.] This passage has been the subject of much and serious controversy, both as to its meaning and its genuineness; and yet, although an argumentum ad absurdum, it is a fair conclusion from those premises. Thus, if the Vital Principle be an entity distinct from the body which it animates, and if the body be moved, by translation, from it, the Vital Principle, having also that movement, may set itself free, and if able to do this, it may re-enter and resuscitate the body which it had left. The assumption, in fact, is an evident objection to the opinion that Vital Principle moves itself as it moves the body; and seems to be necessary to the completion of the argument.
The passage, however, has been regarded as an interpolation introduced by some Christian writer, (adeo verba Christianum seculum referunt,) in order to support the doctrine of the resurrection: and Trendelenberg, while unwilling to suppress the passage, seems to question its authenticity. The subsequent paragraphs are in support of Aristotle's opinion that the Vital Principle, if self-motive, cannot be subject to motion by other impulse than its own, (just as that which is good in itself, cannot be so by or for the sake of something else,) and that, if it were so subject, its motion would be due to sentient impressions.
Note 3, p. 31. Some philosophers maintain.] This passage is a covert satire of the doctrine of Democritus that motion is transmitted through all nature by atoms in constant motion ; and these are said to have been likened by Philippus, the reputed son, according to Meineke, of Aristophanes, to globules of quicksilver, which, when poured in, made a wooden figure to become moveable. It is uncertain, by the way, when this metal was first employed; it is here alluded to as a well-known substance, and is so spoken of by Theophrastus. [1] Pliny says that "it was brought from the silver mines of Spain, in the form of cinnabar, and, when freed from its ore, used in metallurgy;" further, "that it is always fluid, and an universal poison."
Note 4, p. 31. It is in this same manner, &c.] If the Vital Principle be to the body what Plato, in the Timæus, made the great animating principle to be to the Universe, a source of intelligence and ordered motion, there must be an accordance between terrene and celestial bodies and movements; but as earthly bodies are moved by objects of sense and perception, and as their movements are not, like those of the heavenly, in a circle, their natures must be different. It would be idle to attempt to make a digest of the opinions entertained in the Timæus, the most abstruse and laboured of all Plato's works, or to trace the analogy between the constitution and motions of the supernal orbs, and the constitutions and conditions of earthly bodies. But four points seem to be evident —that the universe moves by motions communicated by the anima; that the anima is from the elements; that it has so been divided, as to have an innate sense of harmonic numbers; and that it has been made to move in the same circles as the sky. This summary is adduced by Aristotle to shew how scarcely possible it could be to adjust this speculation to his own subject of inquiry, and he may have been led to criticise it the rather, as the great principle of the universe is synonymous with his own treatise; each is, in fact, ψυχή. But to quote the learned[2] commentator, "Platonem in Timæo quam maxime obscurum illustrare, hujus loci non est."
Note 5, p. 32. But, in the first place.] These critical objections cannot be fully realised without reference to the leading opinions and arguments of the Timæus, which, although, perhaps, at the time, regarded only as speculations and now stand self-confuted as physics, are enshrined in words which shall endure, until mankind cease to find delight and instruction in pure and abstract studies. The first objection raised by Aristotle is to the ascription of magnitude to that anima (which is to be necessarily inferred from its being divisible,) as well as to the intelligence or mind, which is identified with it; for magnitude would imply a material entity, and matter conjoined with form and essence implies parts, and whatever has parts cannot either be self-existent, or indefinite in duration. Another objection, much insisted upon, is the movement in a circle, which cannot, it is said, be the motion produced by the passions or appetites; but the chief topic is resumed, and the mind is shewn to be, like the thoughts which emanate from it, immaterial. Aristotle's subject, however, unlike that of the Timæus, was confined to the agent or principle, whatever it be, which imparts motion and other vital properties to organised matter.
Note 6, p. 33. Now, there are limits to practical thoughts.] The origin[3] of whatever is original is in the maker or creator, whether it be mind, or art, or a special faculty—it is an abstraction that is; but, whatever is practical is dependent only on an agent, or his choice, for the act is identical with what is chosen. Thus, practical thoughts are confined to the particular faculties and organs which are required for securing what may have been chosen.
Note 7, p. 33. Terminated by a syllogism.] The syllogism[4] is an argument, in which, from given premises, something different from the terms laid down results, necessarily, from their admission. Modern definition is much like this—the syllogism is said to be an argument of three propositions, having the property, that the conclusion necessarily follows from the two premises; so that if the premises be true, the conclusion must be true; and a conclusion is the proposition which is inferred from certain former propositions, termed the premises of the argument.
Note 8, p. 34. The same incongruity.] This is an objection by Aristotle to the doctrine of metempsychosis, adopted by the Pythagoreans, and, being placed upon obvious physical relations, it may be considered as irrefragable. Thus, philosophers held numbers to be elements, and perceived in them and their combinations resemblances to, or types of faculties and sentient properties, as has been observed. Their doctrine[5] was, "that man consists of an elementary nature, and a rational or divine principle, and that of this last, the divine is seated in the brain, the passions and appetites in the liver and heart; that the rational part is immortal, the sentient principle perishable." They further taught, that the imperishable part, freed from the chains of the body, assumes a new form, passes to the centre of the earth for judgment, and, if not deemed worthy of associating with perfect spirits, is returned to earth to inhabit another body, of higher or lower nature, according to its former deserts. This doctrine has been so developed and exemplified in the final teaching of Socrates, before his death, that that dialogue[6] may be regarded as a faithful exposition of the argument and its merits. Aristotle, overlooking every supernal cause or agency, objects to the doctrine, not on its own grounds but, by reasonings, which are purely deductive; and the doctrine is, no doubt, when tested by physical science, incongruous.
Note 9, p. 35. Such opinions are, in fact, &c.] This passage is apparently abstruse and ambiguous, owing to the terms being applicable to more than one art or implement; and yet, "[7] as it involves a kind of antithesis between the art and the implements, the Vital Principle and the body," the general sense can be made sufficiently obvious. The purport of the phrase is well given in the Latin version: Perinde igitur dicunt atqui si quispiam artem fabrilem fistulas ingredi dicat ; etenim ars quidam instrumentis, anima vero corpore utatur oportet. The French version is less definite: "C'est absolument comme si l'on pretendoit que l'architecture peut se mêler de fabriquer des instruments de musique."
- ↑ Hist. Nat. 33. 32.
- ↑ Trendel. Comment.
- ↑ Metaphys. V. I. 5.
- ↑ Analytic. a. I. i. 6.
- ↑ Hist. of Philos. Vol. I. 397.
- ↑ Phædo.
- ↑ Trendel. Comment.