HESIOD
THE HOMERIC HYMNS AND
HOMERICA
WITH AN ENGLISH TRANSLATION BY
HUGH G. EVELYN-WHITE, M.A.
SOMETIME SCHOLAR OF WADHAM COLLEGE, OXFORD
LONDON : WILLIAM HEINEMANN
NEW YORK : G. P. PUTNAM'S SONS
MCMXX
This volume contains practically all that remains of the post-Homeric and pre-academic epic poetry.
I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. W. H. D. Rouse; otherwise I have depended on the apparatus criticus of the several editions, especially that of Rzach (1902). The arrangement adopted in this edition, by which the complete and fragmentary poems are restored to the order in which they would probably have appeared had the Hesiodic corpus survived intact, is unusual, but should not need apology; the true place for the Catalogues (for example), fragmentary as they are, is certainly after the Theogony.
In preparing the text of the Homeric Hymns my chief debt — and it is a heavy one — is to the edition of Allen and Sikes (1904) and to the series of articles in the Journal of Hellenic Studies (vols. xv. sqq.) by T. W. Allen. To the same scholar and to the Delegates of the Clarendon Press I am greatly indebted for permission to use the restorations of the Hymn to Demeter, lines 387-401 and 462-470, printed in the Oxford Text of 1912.
Of the fragments of the Epic Cycle I have given only such as seemed to possess distinct importance or interest, and in doing so have relied mostly upon Kinkel's collection and on the fifth volume of the Oxford Homer (1912).
The texts of the Batrachomyomachia and of the Contest of Homer and Hesiod are those of Baumeister and Flach respectively: where I have diverged from these, the fact has been noted.
Owing to the circumstances of the present time I have been prevented from giving to the Introduction that full revision which I should have desired.
Rampton, nr. Cambridge.
- Sept. 9th, 1914
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1925.
The author died in 1924, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.