←Author Index: On Eugene O'Neill
(1888–1953)
American playwright who won the Nobel Prize, Tony Award, and several Pulitzer Prizes

Works

  • Beyond the Horizon, 1920 - Pulitzer Prize
  • The Emperor Jones, 1920
  • The Hairy Ape, 1922
  • Anna Christie, 1922 - Pulitzer Prize
  • The Fountain (Eugene O'Neill), 1923
  • All God's Chillun Got Wings (1924) – Copyrighted in the United States until 2020 due to Renewal R80903
  • Desire Under the Elms (1925) – Copyrighted in the United States until 2021 due to Renewal R93931
  • Lazarus Laughed (1927) – Copyrighted in the United States until 2023 due to Renewal R142984
  • The Great God Brown (1926) – Copyrighted in the United States until 2022 due to Renewal R126555
  • Marco Millions (1927) – Copyrighted in the United States until 2023 due to Renewal R142986 (1923-1925)
  • Strange Interlude (1928) – Copyrighted in the United States until 2024 due to Renewal R156295 - Pulitzer Prize
  • Dynamo (1929) – Copyrighted in the United States until 2025 due to Renewal R186696
  • Mourning Becomes Electra (1931) – Copyrighted in the United States until 2027 due to Renewal R225349
  • Ah, Wilderness!, 1933
  • Days Without End, 1933
  • The Iceman Cometh, written 1939, first performed 1946
  • Hughie, written 1941, first performed 1959
  • Long Day's Journey Into Night, written 1941, first performed 1956 - Pulitzer Prize 1957
  • A Moon for the Misbegotten, written 1941-1943, first performed 1947
  • A Touch of the Poet, completed in 1942, first performed 1958
  • More Stately Mansions, second draft found in O'Neill's papers, first performed 1967
  • The Calms of Capricorn, published in 1983

Works about O'Neill

Some or all works by this author are in the public domain in the United States because they were published before January 1, 1924.

The author died in 1953, so works by this author are also in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less. Works by this author may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

 
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