< Al Aaraaf, Tamerlane and Minor Poems

Part I

O! nothing earthly save the ray
(Thrown back from flowers) of Beauty's eye,
As in those gardens where the day
Springs from the gems of Circassy
O! nothing earthly save the thrill
Of melody in woodland rill
Or (music of the passion-hearted)
Joy's voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell
Oh, nothing of the dross of ours
Yet all the beauty all the flowers
That list our Love, and deck our bowers
Adorn yon world afar, afar
The wandering star.

'Twas a sweet time for Nesace for there
Her world lay lolling on the golden air,
Near four bright suns a temporary rest
A garden-spot in desert of the blest.
Away away 'mid seas of rays that roll
Empyrean splendor o'er th' unchained soul
The soul that scarce (the billows are so dense)
Can struggle to its destin'd eminence,
To distant spheres, from time to time, she rode
And late to ours, the favor'd one of God
But, now, the ruler of an anchor'd realm,
She throws aside the sceptre leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,
Whence sprang the "Idea of Beauty" into birth,
(Falling in wreaths thro' many a startled star,
Like woman's hair 'mid pearls, until, afar,
It lit on hills Achaian, and there dwelt)
She looked into Infinity and knelt.
Rich clouds, for canopies, about her curled
Fit emblems of the model of her world
Seen but in beauty not impeding sight
Of other beauty glittering thro' the light
A wreath that twined each starry form around,
And all the opal'd air in color bound.

All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear'd the head
[1]On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of deep pride
[2]Of her who lov'd a mortal and so died.
The Sephalica, budding with young bees,
Upreared its purple stem around her knees:
[3]And gemmy flower, of Trebizond misnam'd
Inmate of highest stars, where erst it sham'd
All other loveliness: its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp'd from Heaven,
And fell on gardens of the unforgiven
In Trebizond and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant in grief
Disconsolate linger grief that hangs her head,
Repenting follies that full long have Red,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten'd and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
[4]And Clytia, pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth,
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
[5]And Valisnerian lotus, thither flown
From struggling with the waters of the Rhone:
[6]And thy most lovely purple perfume, Zante!
Isola d'oro! Fior di Levante!
[7]And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river
Fair flowers, and fairy! to whose care is given
[8]To bear the Goddess' song, in odours, up to Heaven:

  "Spirit! that dwellest where,
  In the deep sky,
  The terrible and fair,
  In beauty vie!
  Beyond the line of blue
  The boundary of the star
  Which turneth at the view
  Of thy barrier and thy bar
  Of the barrier overgone
  By the comets who were cast
  From their pride and from their throne
  To be drudges till the last
  To be carriers of fire
  (The red fire of their heart)
  With speed that may not tire
  And with pain that shall not part
  Who livest that we know
  In Eternity we feel
  But the shadow of whose brow
  What spirit shall reveal?
  Tho' the beings whom thy Nesace,
  Thy messenger, hath known
  Have dream'd for thy Infinity
  [9]A model of their own
  Thy will is done, O God!
  The star hath ridden high
  Thro' many a tempest, but she rode
  Beneath thy burning eye;
  And here, in thought, to thee
  In thought that can alone
  Ascend thy empire and so be
  A partner of thy throne
  [10]By winged Fantasy,
  My embassy is given,
  Till secrecy shall knowledge be
  In the environs of Heaven."

She ceas'd and buried then her burning cheek
Abash'd, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr'd not breath'd not for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name "the music of the sphere."
Ours is a world of words: Quiet we call
"Silence" which is the merest word of all.
All Nature speaks, and ev'n ideal things
Flap shadowy sounds from visionary wings
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky:

[11]"What tho 'in worlds which sightless cycles run,
Linked to a little system, and one sun
Where all my love is folly and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath
(Ah! will they cross me in my angrier path?)
What tho' in worlds which own a single sun
The sands of Time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro' the upper Heaven!
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky
[12]Apart like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle and so be
To ev'ry heart a barrier and a ban
Lest the stars totter in the guilt of man!"

Up rose the maiden in the yellow night,
The single-mooned eve! on Earth we plight
Our faith to one love and one moon adore
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours
Up rose the maiden from her shrine of flowers,
And bent o'er sheeny mountains and dim plain
[13]Her way, but left not yet her Therasaean reign.

Part II

High on a mountain of enamell'd head
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter'd "hope to be forgiven"
What time the moon is quadrated in Heaven
Of rosy head that, towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve at noon of night,
While the moon danc'd with the fair stranger light
Uprear'd upon such height arose a pile
Of gorgeous columns on th' unburthen'd air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
[14]Of molten stars their pavement, such as fall
Thro' the ebon air, besilvering the pall
Of their own dissolution, while they die
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown
A window of one circular diamond, there,
Look'd out above into the purple air,
And rays from God shot down that meteor chain
And hallow'd all the beauty twice again,
Save, when, between th' empyrean and that ring,
Some eager spirit flapp'd his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that greyish green
That Nature loves the best Beauty's grave
Lurk'd in each cornice, round each architrave
And every sculptur'd cherub thereabout
That from his marble dwelling peered out,
Seem'd earthly in the shadow of his niche
Achaian statues in a world so rich!
[15]Friezes from Tadmor and Persepolis
From Balbec, and the stilly, clear abyss
[16]Of beautiful Gomorrah! O! the wave
Is now upon thee but too late to save!

Sound loves to revel in a summer night:
Witness the murmur of the grey twilight
[17]That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud
[18]Is not its form its voice most palpable and loud?

But what is this? it cometh, and it brings
A music with it 'tis the rush of wings
A pause and then a sweeping, falling strain
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
And zone that clung around her gentle waist
Had burst beneath the heaving of her heart
Within the centre of that hall to breathe,
She paused and panted, Zanthe! all beneath,
The fairy light that kiss'd her golden hair
And long'd to rest, yet could but sparkle there.

[19]Young flowers were whispering in melody
To happy flowers that night and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-lit dell;
Yet silence came upon material things
Fair flowers, bright waterfalls and angel wings
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  "'Neath the blue-bell or streamer
  Or tufted wild spray
  That keeps, from the dreamer,
  [20]The moonbeam away
  Bright beings! that ponder,
  With half closing eyes,
  On the stars which your wonder
  Hath drawn from the skies,
  Till they glance thro' the shade, and
  Come down to your brow
  Like eyes of the maiden
  Who calls on you now
  Arise! from your dreaming
  In violet bowers,
  To duty beseeming
  These star-litten hours
  And shake from your tresses
  Encumber'd with dew
  The breath of those kisses
  That cumber them too
  (O! how, without you, Love!
  Could angels be blest?)
  Those kisses of true Love
  That lull'd ye to rest!
  Up! shake from your wing
  Each hindering thing:
  The dew of the night
  It would weigh down your flight
  And true love caresses
  O, leave them apart!
  They are light on the tresses,
  But lead on the heart.

  Ligeia! Ligeia!
  My beautiful one!
  Whose harshest idea
  Will to melody run,
  O! is it thy will
  On the breezes to toss?
  Or, capriciously still,
  [21]Like the lone Albatross,
  Incumbent on night
  (As she on the air)
  To keep watch with delight
  On the harmony there?

  Ligeia! wherever
  Thy image may be,
  No magic shall sever
  Thy music from thee.
  Thou hast bound many eyes
  In a dreamy sleep
  But the strains still arise
  Which thy vigilance keep
  The sound of the rain,
  Which leaps down to the flower
  And dances again
  In the rhythm of the shower
  [22]The murmur that springs
  From the growing of grass
  Are the music of things
  But are modell'd, alas!
  Away, then, my dearest,
  Oh! hie thee away
  To the springs that lie clearest
  Beneath the moon-ray
  To lone lake that smiles,
  In its dream of deep rest,
  At the many star-isles
  That enjewel its breast
  Where wild flowers, creeping,
  Have mingled their shade,
  On its margin is sleeping
  Full many a maid
  Some have left the cool glade, and
  [23]Have slept with the bee
  Arouse them, my maiden,
  On moorland and lea
  Go! breathe on their slumber,
  All softly in ear,
  Thy musical number
  They slumbered to hear
  For what can awaken
  An angel so soon,
  Whose sleep hath been taken
  Beneath the cold moon,
  As the spell which no slumber
  Of witchery may test,
  The rhythmical number
  Which lull'd him to rest?"

Spirits in wing, and angels to the view,
A thousand seraphs burst th' Empyrean thro'
Young dreams still hovering on their drowsy flight
Seraphs in all but "Knowledge," the keen light
That fell, refracted, thro' thy bounds, afar,
O Death! from eye of God upon that star:
Sweet was that error sweeter still that death
Sweet was that error even with us the breath
Of Science dims the mirror of our joy
To them 'twere the Simoom, and would destroy
For what (to them) availeth it to know
That Truth is Falsehood or that Bliss is Woe?
Sweet was their death with them to die was rife
With the last ecstasy of satiate life
Beyond that death no immortality
But sleep that pondereth and is not "to be"!
And there oh! may my weary spirit dwell
[24]Apart from Heaven's Eternity and yet how far from Hell!
What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
But two: they fell: for Heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
[25]Unguided Love hath fallen 'mid "tears of perfect moan."
He was a goodly spirit he who fell:
A wanderer by mossy-mantled well
A gazer on the lights that shine above
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty's hair
And they, and ev'ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of woe)
Upon a mountain crag, young Angelo
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sat he with his love his dark eye bent
With eagle gaze along the firmament:
Now turn'd it upon her but ever then
It trembled to the orb of EARTH again.

  "Ianthe, dearest, see how dim that ray!
  How lovely 'tis to look so far away!
  She seem'd not thus upon that autumn eve
  I left her gorgeous halls nor mourn'd to leave.
  That eve that eve I should remember well
  The sun-ray dropp'd in Lemnos, with a spell
  On th' Arabesq' carving of a gilded hall
  Wherein I sate, and on the drap'ried wall
  And on my eyelids O! the heavy light!
  How drowsily it weigh'd them into night!
  On flowers, before, and mist, and love they ran
  With Persian Saadi in his Gulistan:
  But O! that light! I slumber'd Death, the while,
  Stole o'er my senses in that lovely isle
  So softly that no single silken hair
  Awoke that slept or knew that he was there.

  "The last spot of Earth's orb I trod upon
  [26]Was a proud temple call'd the Parthenon;
  More beauty clung around her column'd wall
  [27]Than ev'n thy glowing bosom beats withal,
  And when old Time my wing did disenthral
  Thence sprang I as the eagle from his tower,
  And years I left behind me in an hour.
  What time upon her airy bounds I hung,
  One half the garden of her globe was flung
  Unrolling as a chart unto my view
  Tenantless cities of the desert too!
  Ianthe, beauty crowded on me then,
  And half I wish'd to be again of men."

  "My Angelo! and why of them to be?
  A brighter dwelling-place is here for thee
  And greener fields than in yon world above,
  And woman's loveliness and passionate love."

  "But, list, Ianthe! when the air so soft
  [28]Fail'd, as my pennon'd spirit leapt aloft,
  Perhaps my brain grew dizzy but the world
  I left so late was into chaos hurl'd
  Sprang from her station, on the winds apart.
  And roll'd, a flame, the fiery Heaven athwart.
  Methought, my sweet one, then I ceased to soar
  And fell not swiftly as I rose before,
  But with a downward, tremulous motion thro'
  Light, brazen rays, this golden star unto!
  Nor long the measure of my falling hours,
  For nearest of all stars was thine to ours
  Dread star! that came, amid a night of mirth,
  A red Daedalion on the timid Earth."

  "We came and to thy Earth but not to us
  Be given our lady's bidding to discuss:
  We came, my love; around, above, below,
  Gay fire-fly of the night we come and go,
  Nor ask a reason save the angel-nod
  She grants to us, as granted by her God
  But, Angelo, than thine grey Time unfurl'd
  Never his fairy wing o'er fairier world!
  Dim was its little disk, and angel eyes
  Alone could see the phantom in the skies,
  When first Al Aaraaf knew her course to be
  Headlong thitherward o'er the starry sea
  But when its glory swell'd upon the sky,
  As glowing Beauty's bust beneath man's eye,
  We paused before the heritage of men,
  And thy star trembled as doth Beauty then!"

Thus, in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.

Poe's footnotes

  1. On the fair Capo Deucato: On Santa Maura olim Deucadia.
  2. Of her who lov'd a mortal: Sappho.
  3. And gemmy flower, of Trebizond misnam'd: This flower is much noticed by Lewehoeck and Tournefort. The bee, feeding upon its blossom, becomes intoxicated.
  4. Clytia: The Chrysanthemum Peruvianum, or, to employ a better-known term the turnsol which turns continually towards the sun, covers itself, like Peru, the country from which it comes, with dewy clouds which cool and refresh its flowers during the most violent heat of the day. B. de. St. Pierre.
  5. Valisnerian lotus: There is found, in the Rhone, a beautiful lily of the Valisnerian kind. Its stem will stretch to the length of three or four feet thus preserving its head above the water in the swellings of the river.
  6. And thy most lovely purple perfume: The Hyacinth.
  7. Indian Cupid: It is a fiction of the Indians, that Cupid was first seen floating in one of these down the river Ganges and that he still loves the cradle of his childhood.
  8. To bear the Goddess' song, in odours, up to Heaven: And golden vials full of odours which are the prayers of the saints. Rev. St. John.
  9. A model of their own: The Humanitarians held that God was to be understood as having really a human form. Vide Clarke's Sermons, vol. 1, page 26, fol. edit.

    The drift of Milton's argument, leads him to employ language which would appear at first sight, to verge upon their doctrine; but it will be seen immediately, that he guards himself against the charge of having adopted one of the most ignorant errors of the dark ages of the church. Dr. Sumner's Notes on Milton's Christian Doctrine.

    This opinion, in spite of many testimonies to the contrary, could never have been very general. Audeus, a Syrian of Messopotamia, was condemned for the opinion, as heretical. He lived in the beginning of the 4th century. His disciples were called Anthropomorphites. Vide Du Pin.

    Among Milton's poems are these lines:
      Dicite sacrorum præsides nemorum Deæ, &c.
      Quis ille primus cujus ex imagine
      Natura solers finxit humanum genus?
      Eternus, incorruptus, æquævus polo
      Unusque et universus exemplar Dei. — And afterwards,
      Non cui profundum Cæcius lumen dedit
      Dircæus augur vidit hunc alto sinu, &c.
  10. By winged Fantasy:
      Seltsamen Tochter Jovia
      Seinem Schosskinde
      Der Phantasie. Goethe.
  11. Sightless: too small to be seen. Legge.
  12. Like fire-flies: I have often noticed a peculiar movement of the fire-fly They will collect in a body and fly off, from a common centre into innumerable radii.
  13. Her Therasaean reign: Therasæa, or Therasea, the island mentioned by Seneca, which, in a moment, arose from the sea to the eyes of astonished mariners.
  14. Some star which, from the ruin'd roof
    Of shak'd Olympus, by mischance, did fall Milton.
  15. Voltaire, in speaking of Persepolis, says, "Je conmois bien 'admiration qu'inspirent ces ruins mais un palais erige au pied du'ne chaine des rochers sterils peut il etre un chef doevure des arts!" Voila les arguments de M. Voltaire.
  16. O! the wave: Ula Deguisi is the Turkish appellation; but, on its own shores, it is called Bahar Loth, or Almotanah. There were undoubtedly more than two cities engulphed in the "dead sea." In the valley of Siddim were five Adrah, Zeboin, Zoar, Sodom and Gomorrah. Stephen of Byzantium mentions eight, and Strabo thirteen, (engulphed) — but the last is out of all reason.

    It is said, (Tacitus, Strabo, Josephus, Daniel of St. Saba, Nau, Maundrell, Troilo, D'Arvicus) that, after an excessive drought, the vestiges of columns, walls, &c. are seen above the surface. At any season, such remains may be discover'd by looking down into the transparent lake, and at such distances as would argue the existence of many settlements in the space now usurped by the "Asphaltites."
  17. Eyraco: Chaldea.
  18. Most palpable and loud: I have often thought I could distinctly hear the sound of the darkness as it stole over the horizon.
  19. Young flowers were whispering in melody: Fairies use flowers for their charactery. Merry Wives of Windsor. [William Shakespeare]
  20. The moonbeam: In Scripture is this passage "The sun shall not harm thee by day, nor the moon by night." It is, perhaps, not generally known that the moon, in Egypt, has the effect of producing blindness to those who sleep with the face exposed to its rays, to which circumstance the passage evidently alludes.
  21. Like the lone Albatross: The Albatross is said to sleep on the wing.
  22. The murmur that springs: I met with this idea in an old English tale, which I am now unable to obtain and quote from memory: "The verie essence and, as it were, springe-heade, and origine of all musiche is the verie pleasaunte sounde which the trees of the forest do make when they growe."
  23. The wild bee will not sleep in the shade if there be moonlight.
    The rhyme in this verse, as in one about 60 lines before, has an appearance of affectation. It is, however, imitated from Sir W. Scott, or rather from Claud Halcro in whose mouth I admired its effect.
      O! were there an island,
      Tho' ever so wild
      Where woman might smile, and
      No man be beguil'd, &c.
  24. Apart from Heaven's Eternity: With the Arabian there is a medium between Heaven and Hell, where men suffer no punishment, but yet do not attain that tranquil and even happiness which they suppose to be characteristic of heavenly enjoyment.
      Un no rompido sueño
      Un dia puro allegre libre
      Quiera
      Libre de amor de zelo
      De odio de esperanza de rezelo.
      Luis Ponce de León.
    Sorrow is not excluded from "Al Aaraaf," but it is that sorrow which the living love to cherish for the dead, and which, in some minds, resembles the delirium of opium. The passionate excitement of Love and the buoyancy of spirit attendant upon intoxication are its less holy pleasures the price of which, to those souls who make choice of "Al Aaraaf" as their residence after life, is final death and annihilation.
  25. Tears of perfect moan:
      There be tears of perfect moan
      Wept for thee in Helicon. Milton.
  26. A proud temple call'd the Parthenon: It was entire in 1687 the most elevated spot in Athens.
  27. Thy glowing bosom:
      Shadowing more beauty in their airy brows
      Than have the white breasts of the Queen of Love. Marlowe.
  28. Pennon: for pinion Milton.

This work was published before January 1, 1924, and is in the public domain worldwide because the author died at least 100 years ago.

 
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